Art used to be a simple thing. No, strike that. Art was never simple, but the mediums by which art could be expressed were once simple. Cave paintings used simple pigments or charcoal and stone walls. Presumably our prehistoric ancestors used other materials that could not survive the ravages of time: Straw or grasses, wood, earth. Human beings, even with those of the most primitive sort of pre-civilization, have a need for self-expression that goes back to our very beginnings.
Gradually, the technology of art became more complex. Even a few hundred years ago, paints were more like scientific formularies, and stretching a canvas just so was a science and a craft–but one that artists needed to master. It has long been the case that an artist and her tools are inseparable, and craftsmanship matters in the act of creativity. An artist relates to his brushes and canvas just as a photographer relates to this camera or, for that matter, as a carpenter relates to her hammers and nails. More than that, an artist must also be a craftsperson and a technical expert when it comes to her art. A great painter understands pigments and brushes, canvases and even the frames. Picture frames, indeed, are their own form of artistry. To be creative is simply not enough–artistry and mastery go hand in hand. Great sculptures sometimes create their own carving tools, and great tattoo artists sometimes build their own tattoo machines or mix their own inks.Today, the complex interrelationship between science and art takes us to places a Renaissance painter could never have dreamed about. A great photographer should understand composition and light, sure, but also exposures, films, and a host of digital technologies. Photography is a stunning example of the way that science and creativity, art and technology, the digital and the analog, all come together.
This blog is concerned about the intersection of art and technology, and so will support discussions of either or both.

